Late Evening Jazz

Monday, Tuesday, and Thursday, 9 PM to midnight

The best in acoustically driven jazz, featuring swing, bop, post-bop, cool and beyond from the classic sessions of yesterday to the new cats of today. Check out Ms. Blue on Mondays, Tuesdays, and Thursdays.

Ways to Connect

May 3, 2021. Depending on what you’re most susceptible to, Sachal Vasandani’s Midnight Shelter will either break your heart or rock you to sleep. If you stay with it through all 11 singer-songwriterly tunes, chances are you’ll experience both.

Latin jazz master percussionist Arturo Stable has been in motion his whole life, and working and living all over the world has allowed him to seamlessly shift though a myriad of musical traditions. Whether he’s on stage with the Philadelphia Symphony Orchestra or lightening up a tight Latin jazz quartet, it’s just another border crossing that demonstrates Stable’s rich cultural knowledge.

April 26, 2021. Multi-instrumentalist Joe Chambers made his name as a drummer on some of Blue Note Records’ most celebrated albums of the mid-to-late 1960s. But it’s his vibraphone playing here—bobbing and weaving in a synchronized courtship with pianist Brad Merritt worthy of David Attenborough narration—that’s foregrounded on Samba de Maracatu, his first release as a leader for the famed jazz label since 1998’s Mirrors.

April 12, 2021. Trigger warning: If having too much fun listening to music tends to send you spiraling out of control, take caution with Emmet Cohen’s Future Stride. With his natural feel and an ability to draw from a massive store of repertoire, it’s easy to see—and hear—why Cohen’s been a fast-rising star for a while now.

Getty Images/Pekic

WRTI is your home for all things jazz, and you’ve spent a lot of time with us over the last year. You've told us the music is soothing, uplifting, and your connection to the outside world. At a time when everything has screeched to a halt, jazz has persisted, and WRTI continues to bring it to you.

April 5, 2021. West coaster George Kahn is one of those melodic, easy-swinging pianists that sometimes gets lost in the shuffle. He’s not edgy, nor experimental; he appropriates liberally from the Great American Songbook. He’s unabashedly straight-ahead, which, in this day and age, might be a revolutionary act in itself.

Bill Douthart

When Uri Caine speaks in his deep, low voice, each phrase unfurls with rich, diverse, all-inclusive information. In a fashion, it’s as if the Philadelphia-born pianist and composer is looking to get everything inside his head out, quietly, but succinctly.

Courtesy of the artist

How does trombonist-composer Ernest Stuart best show his Philadelphia-ness? Of course, there is his music. Stuart has a post-bop-jazz-based but often genre-fluid sound that merges influences from Philadelphia soul past and present. Think Gamble & Huff and John Legend melded with alternative electronic pop á la Radiohead. In his mind, it’s a very Philadelphia thing to do.

March 29, 2021. This Bitter Earth, Veronica Swift’s sophomore release from Mack Avenue Records, takes on issues of weighty social concern. Most everyone’s doing that now, it seems—and, hey, that’s probably a good thing. But the reason this album succeeds is because Swift was a preeminent vocal stylist before and still is.

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