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  • Hear a funky set from guitarist Cory Wong and the Wongnotes from the main stage of the Newport Jazz Festival, plus stories from Cory about his past, process and the evolution of the Minneapolis Sound.
  • The Danish jazz duo perform an untraditional four-song set from the countryside in Djursland, Denmark.
  • Roy Hargrove delivers an evocative narrative that, without words, conjures the spirit of Donny Hathaway or Stevie Wonder. Because the song doesn't contain any verses, it's easy to imagine its exquisite lyricism as a discreet love letter to jazz itself.
  • The Sangam Trio melds the musical traditions of American jazz with East Indian influence. The group made its New York debut this past week. Two members of the trio — jazz saxophonist Charles Lloyd and Indian tabla master Zakir Hussain, join host Debbie Elliott for a performance.
  • Nashville-based musician Moe Denham has spent a career getting the best from a Hammond B3 organ. After decades as a sideman and opening act, he's out with a new CD: The Soul Jazz Sessions.
  • On his transfixing debut, Nik Bartsch creates a five-part song cycle that highlights his immaculate piano playing and keen accord with his band Ronin. The Swiss-born pianist and composer calls Ronin's music "Zen-funk," an apt description for the magnetic "Modul 35."
  • Day to Day music critic David Was reviews the new recording by 67-year-old veteran saxophonist Charles Lloyd, Jumping the Creek.
  • We note the passing of Jimmy Smith, the musician who creatively linked jazz and the Hammond B-3 organ.
  • Nearly a century ago, musician W.C. Handy recorded the first blues hit, "Memphis Blues." In the years that followed, he produced dozens of Billboard chart hits that were re-released again and again. Producer Barrett Golding of the Hearing Voices radio project profiles Handy, "the Father of the Blues."
  • A composer, performer and installation artist from the Navajo Nation, Chacon's winning piece, Voiceless Mass, was composed for chamber orchestra and a specific Milwaukee pipe organ.
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