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  • Elvin Jones, a renowned drummer and member of the John Coltrane Quartet, died Tuesday in a New Jersey hospital of heart failure. He was 76. Jones' powerful, complex playing helped changed the role of the drummer in jazz groups and influenced a generation of rockers, including The Doors, the Grateful Dead and Santana. NPR's Renee Montagne has a remembrance.
  • British singer and pianist Jamie Cullum, 24, puts a contemporary-rock spin on jazz standards. He says he's trying to adapt jazz to speak to his own generation. NPR's Michele Norris talks with Cullum about his new album, Twentysomething.
  • Bill Frisell is renowned as a versatile musician with a repertoire of blues, country, and rock — but he says he's a jazz guitarist at heart. Frisell describes his first foray into jazz, when he heard master guitarist Wes Montgomery. Marcie Sillman reports.
  • Trumpeter Steven Bernstein hunts for music that's been overlooked by classic jazz. He does his musical detective work in a back room he calls his "laboratory."
  • NPR's Liane Hansen talks with pianist John Bucchino about his new CD, On Richard Rodgers' Piano. Bucchino used the legendary songwriter's 1939 Steinway to record the disc.
  • Ingrid Jensen has always been fighting stereotypes: "When you look like I look — a blond, white chick from Canada — you're not supposed to sound the way I sound," she once said. The jazz trumpeter talked with host Liane Hansen about her career and music.
  • Former NBA player Wayman Tisdale made the jump from the court to the performance stage nearly 10 years ago. He talks with NPR's Tony Cox about his latest CD, Hang Time, which shows off his growth as a bassist.
  • Thomas Edison's music room went unused since the days when he was using it to record the famous at the turn of the century. Lately, some top names have been back there in West Orange, New Jersey, making modern-day wax cylinders, which use no microphone, no electricity.
  • A new CD collects "degenerate" German swing music — used for Nazi propoganda — recorded during the Third Reich.
  • Weekend Edition Sunday music director Ned Wharton reviews the work of two artists with famous musician dads who're blazing their own unique paths: Emilie Berstein, daughter of film score composer Elmer Bernstein, and pianist Peter John Stoltzman, son of Grammy-winning clarinetist Richard Stoltzman.
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