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  • The alto saxophonist stops by to present a master class in improvisation on the standards with host Marian McPartland.
  • Recently reissued Brahms and Mozart recordings by the Stuyvesant Quartet convey natural refinement, balance and a kind of inward grace. Fresh Air critic Lloyd Schwartz says they take their place among the most luminous chamber-music performances on record.
  • Later this year, the jazz legend will receive the Presidential Medal of Freedom. Sandoval talks with guest host Celeste Headlee about his start as a trumpet player in Cuba, his relationship with Dizzy Gillespie and how American citizenship influenced his music.
  • Duke Ellington once described the influential writer and critic who helped found Jazz at Lincoln Center as the "unsquarest person I know."
  • A new double set of unreleased S.O.S. tunes, Looking for the Next One on the Cuneiform label, was recorded in concert and in the studio in the mid-1970s. John Surman, Mike Osborne and Alan Skidmore could sound timeless, of and ahead of their time.
  • The bluesy, commanding improviser rose to eminence in the '50s and '60s with bands like Art Blakey's Jazz Messengers, where he played a starring role and established himself as a deft small-group composer. Walton continued to perform and record his entire life.
  • The pianist and composer valued sophisticated harmonies, aching melodies and a tremendous emotional range. Here, we feature her original compositions and musical collaborations with Sarah Vaughan, Karrin Allison, Thad Jones, Elvis Costello and more.
  • The middle of the 20th century was a golden age for American symphonic music. From William Grant Still's celebration of African-American culture to Marc Blitzstein's ode to aviation and the U.S. military, Harvard scholar Carol Oja explores a compellingly diverse group of American symphonies.
  • Watch the violinist play music of the spheres amid twinkling lights with jazz bassist Ben Allison. Hope ponders the cosmos, bringing together music and time, with works from different centuries.
  • Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.
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