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  • As the host of a weekly public radio program pairing conversation and duet performances, McPartland brought many jazz greats to an audience of millions. For more than 40 years, she offered an intimate perspective on the elusive topic of improvisation.
  • A blogger charges that management at the Minneapolis-based symphony may have attempted to undercut pro-labor organizing efforts — several months before talks between the musicians and the administration failed. The orchestra association says that they were just doing their job.
  • Evans can be a heavy hitter at the keyboard, but on his new album, he reins himself in a bit.
  • The pianist performs "Clouds" and pairs with host Marian McPartland for "How Deep Is The Ocean?" in 2003.
  • The late author and cultural theorist's career was dedicated to proving that American culture wasn't black and white, but both at once. In doing so, he called upon jazz as his chief example, devising many of the ways the music is now commonly perceived.
  • For more than 30 years, the jazz pianist hosted one of public radio's most beloved shows. She died of natural causes on Tuesday at the age of 95. McPartland spoke with Fresh Air's Terry Gross in 1987.
  • The British magazine has trimmed down the number for awards being handed in its 90th annual prize ceremony. Is that good or bad for classical music?
  • For 40 years, the Renaissance Street Singers have given free public performances of sacred music. But they insist that their mission is not religious in nature.
  • Mesmerized by the Caruso records he heard on the streets of lower Manhattan as a poor kid, Richard Tucker took to singing and never looked back. New York honors its native son with arias and corned beef.
  • The symphony is far from a dead art form. Critic Donald Rosenberg says dozens and dozens of notable symphonies have been written in recent decades by composers eager to stretch themselves in unanticipated — but affecting — directions.
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