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In the 1980s, pianist Michele Rosewoman and drummer Francisco Mora-Catlett started independently pursuing a mixture of Afro-Caribbean mysticism and avant-garde jazz. Thirty years later, they've finally recorded their otherworldly large ensembles.

As a fledgling classical soprano in New York, Norman went to hear singers like Mabel Mercer perform. She tells WBGO's Rhonda Hamilton that her study of jazz vocalists influenced the way she interprets songs — including operatic arias.

Two of this year's roster of grant winners are pianists who exemplify creative thinking and wide-ranging intellectual and artistic pursuits. And as it happens, NPR has a long history with each of them. See and hear excerpts of their distinctive work.

Nearly half the horn players in an Australian study noticed that they'd lost some of their hearing. Among the younger horn players, hearing tests found that up to one-third of them had noise-related hearing deficits.

After releasing his latest album, last year's Spirit Fiction, the saxophonist put his decade-old quartet on hiatus. He now takes a new group into a venue haunted by the ghosts of his parents.

She plays and sings a previously unreleased Evans tune, "Here Is Something for You," for which she has written a lyric, and host Marian McPartland gives her own Evans tribute on "B Minor Waltz."

In his new tribute album, pianist Antonio Pompa-Baldi finds common ground between two odd bedfellows — composer Francis Poulenc and singer Edith Piaf. Their connection, he says, is the powerful way they expressed emotions through the beautiful melodies in their songs.

Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.

The pianist's latest album features some of the most difficult etudes ever written for solo piano by the Hungarian composer Gyorgy Ligeti.

Saxophonist Gabe Baltazar is one of the last living links to an era when Asian-Americans began to make a name for themselves in jazz. Now, at the age of 83, he's sharing his story in an autobiography.