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On the first single from Old Fashioned Gal, Edmonson pines for a respite from pop-up ads and notifications, for a phone "inextricably connected to a wall."

In 30 years of hosting All Things Considered, Robert Siegel says he's enjoyed "peeking inside the brains" of today's most intriguing classical musicians. Hear a few of his favorite interviews.

Each album by The Bad Plus can be understood as a planted flag, a marker of group identity. Hear the jazz trio's first record with new pianist Orrin Evans.

Accused of sexual harassment and shunned by the major American orchestras, Dutoit's relationship with the organization was described as "untenable."

Eighty years ago, barriers were broken when Benny Goodman took a mixed race band to play jazz to Carnegie Hall.

In 1983, the Canadian Opera Company was the first to use simultaneous translations projected above the stage. Now it's an expected part of the opera-going experience.

We join the pianist at his loft in SoHo to talk about his upbringing in Cincinnati, late-night gigs in New York, his recovery from a coma in 2008, and his adaptation of Walt Whitman's poetry.

Bertucci unleashes a cascade of overlapping saxophone lines, with each small repetition spawning a new wave of curling, blending sounds.

The composer's new album is a feast for the ears that is companionable, symphonically expansive, danceable and (as its title suggests) ripe with melodies.

Watch the young Russian musician, who The Times of London calls "the most astounding pianist of our age," play a smart, Chopin-focused concert on a grand piano, precisely wedged behind the Tiny Desk.