
John T.K. Scherch
Classical HostJohn T.K. Scherch (JohnTK@wrti.org) shares the morning’s musical and other offerings weekdays on WRTI 90.1. Previously, he was the first new host on WBJC in Baltimore in nearly 20 years, hosting the evening, Sunday afternoon, and request programs, and he is also an alumnus of U92, the college radio station of West Virginia University and a consecutive national Station of the Year winner.
John uses his voice both unpitched and pitched, as he is an active classical bass. He has performed numerous times in the Baltimore-Washington area, including a performance with DC company IN Series that resides on then-Washington Post classical music critic Anne Midgette’s “best-ever” list. His most-performed roles are Sarastro in Mozart’s Die Zauberflöte and as the bass soloist in the Verdi Requiem, and he has also sung the role of Prince Gremin in Tchaikovsky’s Eugene Onegin in Philadelphia with the Russian Opera Workshop, held at the Academy of Vocal Arts. John holds degrees in music from Peabody Conservatory and West Virginia University.
John’s favorite composer, restricting the selection to the canon, is Richard Strauss (the opera Die schweigsame Frau is a revelation in the expression of humanity through music), though his tastes are necessarily elaborated by his interests outside the canon, from the creative additions to the chamber wind repertoire by Imani Winds to the sample-based electronic compositions of Oneohtrix Point Never to the experimental drone metal of Sunn O))) and in many different directions within and outside of that spectrum (he spent more time in his college radio days directing the metal program than the classical program). He is also a fierce advocate for the promotion of music that was and is left out of the canon for non-musical reasons and will always recommend those works alongside the standard repertoire when introducing someone to classical music, which he has done both on the radio and on his podcast, Pause and Listen.
When not talking about, performing, or practicing music, John is usually looking for new music to listen to, both classical and otherwise. He also enjoys riding his bike, as well as more dangerous outdoor activities like skiing and rock climbing that he gets to do less often. John will rarely turn down the opportunity to play table games (foosball, ping-pong, etc.) and enjoys board games as well, often alongside an overwrought meal he’s cooked paired with a good craft beer or perhaps followed by a heavily smoked spirit.
John grew up in Pittsburgh and has spent his entire adult life in rival sports cities—from Morgantown to Baltimore and now Philadelphia—but he has always harbored a great love for the City of Brotherly Love and is excited to spend his mornings listening to the music together with WRTI listeners.
Hear John on weekdays from 6 to 10 AM.
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Our first full Fanfare week of 2025 features star soloists, modern saxophone music, and a master class for singers.
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It's another great week of shows — we've got another tour continuation, a work night on the town, and as I like to offer you, something to stretch your ideas of what classical music can be.
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For Opera Day, WRTI has teamed up with the Academy of Vocal Arts to broadcast a vibrant production of Rossini's The Barber of Seville. Tune in on Nov. 9 at 1 p.m.
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This week's Fanfare offerings include the choral drama Considering Matthew Shepard, a performance from both the Philadelphia Orchestra's winds and the full orchestra, "A Sousa Band Concert" from The Allentown Band, and more.
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10 Days in a Madhouse, composed by Rene Orth with libretto by Hannah Moscovitch, premiered last fall to sellout crowds. Now, they've won MCANA's Best New Opera award for it, the third such award for an Opera Philadelphia commission.
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With the 2024 Summer Olympics underway in Paris, we've highlighted some of our favorite classical anthems to accompany all the action.
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In this monthly issue of Fanfare, several festivals take place, the Delaware Valley Opera Company puts on Le nozzi di Figaro, and The Philadelphia Orchestra diverts from its seasonal schedule.
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This week in Fanfare, fabulous offerings from Opera Philadelphia, The Philadelphia Orchestra, the Academy of Vocal Arts, Curtis Composers and more.
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While we await the solar eclipse on April 8, WRTI has some relevant pieces from the classical and jazz repertoire, from Sun Ra to Strauss.
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Opera Philadelphia and The Apollo announce a partnership to support the creation of new Black operas"Our dedication to diverse programming promises a future where opera is more vibrant, relevant, and welcoming than ever before," David B. Devan, longtime leader at Opera Philadelphia, says of a new multi-year partnership with The Apollo.