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A dedicated archivist, Michael Cuscuna had more than 2,600 album credits as a producer, most of them archival reissues, and many involving the Blue Note catalog. He died on 75 in Stamford, Conn.
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The artist's first album as a lead for Blue Note grew from a jarring realignment in her personal life. On The Omnichord Real Book, she finds ways to embrace jazz without taking on its baggage.
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Tenor saxophonist Walter Smith III makes his Blue Note debut with an excellent cohort, and poise to spare. For WRTI's Album of the Week, here is our review.
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Multi-instrumentalist Joe Chambers made his name as a drummer on some of Blue Note Records’ most celebrated albums of the mid-to-late 1960s. But it’s his vibraphone playing here—bobbing and weaving in a synchronized courtship with pianist Brad Merritt worthy of David Attenborough narration—that’s foregrounded on Samba de Maracatu, his first release as a leader for the famed jazz label since 1998’s Mirrors.
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October 12, 2020. All rise, the biggest male voice in jazz has returned. Although, strange as it may seem, that generous designation is actually limiting…
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October 5, 2020. Artemis is a band comprising seven of the world’s finest jazz musicians, six of whom are instrumentalists, all of whom are female. Group…
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July 13, 2020. Back in 2007, the Philly jazz scene was excited for the young homegrown bassist who was on Terence Blanchard’s Grammy-nominated album A…
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The lauded trumpeter was attending eighth grade in Oakland when he saw a certain pillar of the avant-garde play live. Some 25 years later, the connection between then and now is stronger than ever.
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The longtime president of Blue Note Records, a lifelong jazz fan, signed artists such as Norah Jones, Joe Henderson and Robert Glasper. He died of complications due to Parkinson's Disease. He was 79.
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Nearly three-quarters of a century old, the label remains a showcase for jazz soloing in every possible mood and temperament. Here are our picks for sublime moments from the catalog.